Monthly Archives: January 2014

Richard Bausch’s Advice on Reading Like a Writer

Most of us come to this work from having read so much, from the discovery that nothing else quite nourished us inwardly in quite the way the printed word did.  We couldn’t get enough.  We were and are rapacious readers. … Continue reading

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“Beautiful Monsters” & Point of View

In the world of Eric Puchner’s “Beautiful Monsters,” there are no adults. Usually. The story opens with a boy making breakfast for himself and his sister when he spots a grown man eating an apple from a tree. The boy … Continue reading

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Characterization in Sharon Solwitz’s “Alive”

Best American Short Stories 2012 – “Alive” by Sharon Solwitz Three years ago, a cousin I was very close to died in a car accident. Both of us were only children, born exactly a year apart, and we were the … Continue reading

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Dialogue in Jess Walter’s “Anything Helps”

Best American Short Stories 2012 – “Anything Helps” by Jess Walter Dialogue in Jess Walter’s “Anything Helps” serves to develop characters, convey important plot elements, and create tension. But I hope it isn’t too much of a stretch to use … Continue reading

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Detail in Mike Meginnis’ “Navigators”

Best American Short Stories 2012 – “Navigators” by Mike Meginnis As someone who caught the tail end of the NES-generation games, this story strikes a special chord for me. Told in limited third-person narration from Joshua’s point of view, “Navigators” … Continue reading

Posted in Best American Short Stories 2012, family, Fate, maturation, Melancholy, Mike Meginnis, relationships, Short Story, Third-person limited | Tagged , , , , | 1 Comment